Do you attempt to translate these perceived realities as realistic as possible to our familiar,  common world of shapes?

Of course it is not just about simple realism. Take a look at my 'women paintings' for example. You are confronted with a beautiful woman, but in an environment narrating and expressing so much more! The total picture of the surrounding is architectural, but also the woman is in essence architectural, as she is a biological-technological demonstration. That is my opinion.

Perceiving a woman on a surrealistic chair for example, as on some of my representations, you might say it is a chair on one hand, but on the other hand the woman is one with it. Normally spoken you can be seated in a chair and get up again. That is our life: get seated and get up on your feet again. But in my work a chair isn't just the comfort of a seat, but rather a basis where you can identify yourself with that other possibility of existence. You could say the chair is softening the birth trauma.

Sounds cryptical!

What I mean is: I try to bring back the models in that state of security, which is not to be found in our everyday world. These women, these models, are intertwined with 'extraterrestrial' matter. There is no talk of inability to leave or forbidden to leave. It is all about the safety they find in the situation they are in. In the animal world you can also see that tendency for a safe, secure hiding place.

Yet I try to penetrate into unknown, invisible realities, of which I have certainty they exist. In there, our normal, visual world (the one we know) has come to an end. Therefore my diversity in presentation. Sometimes I present a nirvana situation and sometimes a world of hell-fire, a bardo.

Another example: a presentation called 'The power of passion' should not just be seen erotical, but also in the sense of passion in your thoughts, in your mind. This passion is much more intense than when considered only bodily, sexually. Meditating, pushing through intense thoughts and emotions you can't practically describe, because they are so intense.

The combination of strong passion and meditation is not common.

It is difficult to express in words, therefore I make performances. Back to the women: If you look at overall performance, you should also consider the chakras lodged within,which are so providing for harmony in life. Eroticism is an important part of that, allthough not everyone likes that. The surrounding of the woman is of more essential importance than the woman herself, presented as a form within. The astrality of the environment predominates.

Your repertoire of uncommon entities hasn't exhausted the possibilities by using creatures of light, demonical figures and imaginary women?

No, in my recent works aliens also make their presence. In the long run spaceships will be steered by telekinetical mind control, I am sure about that. A technology aliens already have in their package of knowledge. By getting better acquainted with my work, you will discover many